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ARLT @ Café de la Danse, Paris (16.05.2012)

ARLT @ Café de la Danse (16.05.2012)

First thing that you need to know (if you don’t know yet) about ARLT: they are French and they also sing in French. Maybe they are the first “French-singers” included in Bolachas and let’s to be honest: there is, in general and outside of France, a little resistance to French music. Yeah, I admit: my first commentary about ARLT after I saw them for the first time was something like “wow, they sing in French but they are really awesome!”. So, I will break that myth at least here in Bolachas and I will promote a bit of French music, as I was living in France (oh wait…).

I saw ARLT for the first time in Balades Sonores (again: one of the best places in Paris – I wish that everybody could visit it!) and that happened by accident. In fact, I went there to see Mariee Sioux, which played after them, as they share the same label in France: the stellar Almost Musique. I really loved their showcase, in such a way that I listened to them incessantly during the following days and looking forward to see them again.

Finally, my new meeting with them happened this week, at Café de la Danse.

Haight-Ashbury, the supporting band, brought from Glasgow some psychedelic folk songs such as Freeman Town and Everything is Possible. Some of their Parisians fans danced with a lot of enthusiasm in front of the stage, receiving the songs as they were sunshine (yeah, it was a bit bizarre). Beyond that, the three elements of the band – a boy and two very vintage girls (gotta love your grandmother’s dresses!) were really friendly, so I like to met them.

But let’s talk about ARLT. At Café de la Danse, ARLT presented Feu la Figure, their last album that came out on 23th April and that is a successor of La Langue, released in 2010. Feu la Figure includes some veiled figures, as the phantoms, the bones or certain animals and therefore dissect the songs is a very difficult exercise because, as the French say very often, “ce n’est pas evident”, not even with the help of the dictionary (my best friend on last months). However, you don’t need to understand every word that they sing to fall in love with them…

Sans mes bras, my favorite song of Feu la Figure, opened the concert and nobody needs to know French to realize that it is a love song… This song is just an example of how perfect is the mixing between the voices of Eloïse (“voix d’eau”) and the voice of Sing Sing (“voix de terre”). In fact, the strong complicity between Eloïse and Sing Sing is stunning – damn it, they really rock together.

But ARLT are more than these two amazing voices and the guitar of Sing Sing: in the left side of the stage, discretely sited on a chair, Mock completed all the songs with his fabulous guitar. In the L’eau froid, third song of their performance, we were arrested by a guitar duel between Sing Sing and Mock, naturally smoothed by the volatile voice of Eloïse. Eloïse, the beautiful Eloïse, which wore a cute red dress and that sometimes carried a hammer on her hands.

During the rest of the concert, they didn’t forget any animal that was included at Feu la Figure: Une sauterelle, Le ventre de la baleine, Tu m’as encore crevé un Cheval, Rhinocéros and Chien mort, mi amor – all of them passed by Café de la Danse.  Besides of the animals, who brought a lot of joy to the concert, Le périscope (another great love song) and La ville est triste (last song of Feu la Figure), spotted two calm and a kind of melancholic moments at this night.

Additionally to every song of Feu La Figure, as it was expected, they also played some themes of La Langue, especially at the end of the concert. My favorite “old” song was Je voudrais être mariée, a cover of a traditional song that Eloïse performed in such a perfect way.

I should also tell you that Sing Sing tried to escape from the stage to the audience twice! In the first time he left his guitar with Eloïse, but on the second one he acted like a rock star and he played for a while among the people that was seated on the floor near the band. Eventually, he went back to the stage, but after two encores ARLT went way, after a concert that reinforced my faith in the French music and my particular love about this amazing band.

Setlist:

1. Sans mes bras

2. Une sauterelle (dessinée par un fou)

3. L’eau froid

4. Le pistolet

5. Je voudrais être mariée

6. Le ventre de la baleine

7. Le Périscope

8. La Rouille

9. La ville est triste

10. Tu m’as encore crevé un cheval

11. Château d’eau

12. Rhinocéros

13. Chien mort, mi amor

14. De haut en bas

15. Que se passe-t-il?

16. Des dents

17. Lettre morte

RBC

Categories
live

Will Stratton + Paleo @ Paris (07.05.2012)

Starting to listen to Will Stratton takes us to that awkward moment when we know that someone is really huge but only a small part of the world had already realized the same. Luckily for me, I could attend a house show by this wonderful North-American songwriter, this week in Paris. The event, kindly promoted by the team GoodMorninCaptn, took place in a pretty apartment at Montmartre, in a very quiet and intimate atmosphere.

Will Stratton, a young Californian musician now based in New York, traveled Europe for two months promoting his fourth album, Post-Empire. On this adventure, Will has been accompanied by Paleo, another great artist with a very characteristic voice and a large repertory of songs and concerts, who also came from U.S. to present his own work.

Paleo, with his shoes off, was the responsible for the first musical act of the night. After him, on a very subtle way, Will Stratton just sat on a chair with his guitar and silenced the discrete audience with the amazing “When You Let Your Hair Down to Your Shoulders”. The first song is one of the most important moments of a gig (right?) and Will Stratton did it SO well.

It was really pleasant being sat on a comfy sofa, with nice people by my side and with two cats walking around while a very talent artist was in front of me, singing and explaining some songs, as the one about his great-grandfather (“El Capitan”) or another about his first love (“Loose but Not Broke”). At some moments, Will looked like a kid, fingerpicking his guitar with deep pleasure and making little experiences with his voice, which turned the songs a bit different from the album. My favorite part of this acoustic show was “The Relatively Fair”, a lovely song that made my heart flickered a little when Will closed his eyes while he sang that “I’ve never known you and chances are I never will, but if you hear this, know that I love you still” (yeah, deep and sad songs are always the best ones for me).

The guitar arrangements are genius, the lyrics are very beautiful and well written and besides his musical skills, Will has an amazing beard – hey, you gotta love him!

Here is the setlist of this night:

  1. When You Let Your Hair Down to Your Shoulders
  2. El Capitan
  3. Do You Remember the Morning?
  4. Loose but not Broke
  5. No Wonder
  6. Mercury Id Blues
  7. All the Table of the Styx
  8. The Relatively Fair
  9. If You Wait Long Enough

  1. (instrumental song)
  2. (un-finished and un-released song)

On the next day both artists played again a showcase in one of my favorite places in Paris: the lovely Fabrique Balades Sonores. On this show, Will played more songs of Post-Empire, as the theme that gave the title to the album and the very beautiful “Tell Me, Where do I Begin?”.

 RBC

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live

The Magnetic Fields, Sala Apolo

I saw The Magnetic Fields on Sunday night and I can’t possibly begin to be even remotely objective about the concert (suffice to say I’m a fan). So um, in summary, it was brilliant, perfect, magical etc etc and a lot of people cried. 

If you don’t believe me just watch this video I shot of “The Book Of Love”.

SAJB

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live

Optimus Primavera Sound 2012: stage info

Although there’s no info about which bands will play in which stage on the official website for now, that information is already available for those who downloaded the official Android/iPhone app. For those old-fashioned folks who still sport a Nokia 3310, here’s the distribution of the artists per stage per day:

Thursday, June 7:

Optimus stage

Yann Tiersen

Bigott

Suede

The Rapture

Primavera stage

The Drums

Atlas Sound

StopEstra!

Explosions in the Sky

Friday, June 8:

Optimus stage

M83

Wilco

We Trust

Rufus Wainwright

Primavera stage

The Walkmen

Yo La Tengo

The Flaming Lips

Linda Martini

ATP stage

Shellac (pictured above)

Rafael Toral

Wolves in the Throne Room

Tall Firs

Codeine

Tennis

Thee Oh Sees

Club stage

Numbers Showcase

The War on Drugs

Esperit!

Other Lives

Chairlift

Beach House

Neon Indian

Black Lips

Saturday, June 9:

Optimus stage

Kings of Convenience (replacing Björk)

The Right Ons

The xx

Death Cab for Cutie

Primavera stage

The Afghan Whigs

The Weeknd

Gala Drop

Spiritualized

ATP stage

Forest Swords

Dirty Three

Lee Ranaldo

I Break Horses

Sleepy Sun

Siskiyou

Demdike Stare

Club stage

Erol Alkan

James Ferraro and the Bodyguard

Washed Out

Wavves

Baxter Dury

John Talabot

Saint Etienne

Veronica Falls

Mujeres

Sunday, June 10 (outside main festival site):

Casa da Música

Jeff Mangum

The Olivia Tremor Control

Nick Garrie

James Ferraro and the Bodyguard

Best Youth

Hard Club

You Can’t Win, Charlie Brown

Veronica Falls

Julie and the Carjackers

Kindness

Optimus Primavera Sound 2012 takes place in Porto, Portugal and runs from 7 to 10 June. Buy tickets here.

DSS

Categories
live

of Montreal, Sala Apolo

It’s Sunday night (not exactly the most rock n’ roll of nights) and I’m watching of Montreal. I haven’t even been drinking, but the balloons, the mischievous piglets, the confetti, the large inflated synthetic boobies (you kinda had to be there), and a mesmerising (not to mention topless) Kevin Barnes sure have the same effect. Having seen them at Primavera Sound last year, I was glad to get a chance to see them in a more ‘intimate’ setting, where, in addition to seeing the setlist in advance, I was able to see the colour of Kevin’s socks, the stealth dancers creeping their way to the front of the stage and the smiles exchanged between band members. Obviously they were never going to play all the songs I would have liked (I’m still dreaming of a Kevin Barnes acoustic set in a tiny back room of a coffee shop), but a set including Heimdalsgate Like A Promethean Curse, The Party’s Crashing Us, A Sentence Of Sorts In Kongsvinder and a sped up version of She’s a Rejector still left us singing our hearts out all the way home.

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SAJB