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old bolachas

You suffer but why?

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My dear north-american readers, this one goes out for you. Not because I believe you’ll eat up this band like manna (although you *should*), but because this northern Portugal-based quartet was kind enough not to name itself “Sensible Footballers” and alienate you forever; I imagine you’d sit there, honey-drenched pancake in fork, pondering on why the hell don’t they have any songs about Tim Tebow or any other jacked-up, helmet-welding, advertisement-darling m(a)(e)ss of a human, and upon discovering that on the other side of the Atlantic we don’t care much about the Superbowl you’d consider nuclear retaliation and turn one of your oldest allies (true, btw) into Europe’s answer to the Sahara Desert. Emanuel Botelho, Manuel Justo, Filipe Azevedo and Hugo Alfredo Gomes go by the name Sensible Soccers, and they were born out of a very small scene that called itself, and I’m literally translating it here, “unemployed pop”, which is a far better choice of words than “hypnagogic” or whatever the fuck hipster musicians call what they do in their bedrooms nowadays. There’s nothing “hipster” about Sensible Soccers, though; think of them as our answer to the wonderful Disco Inferno, even if they themselves have never listened to Disco Inferno (I asked them, they went “what?”). They’ve existed for two years now and have already played in major festivals such as Milhões de Festa and Paredes de Coura, and even played a set in Lisbon’s Boiler Room (I’ll give you a special gift if you can guess, in that video, who I am), and you can check out their music on Bandcamp, which, hopefully, will get you asking for more and salivating like a dog as soon as I mention that they’re putting out a record later on this year. “Sofrendo Por Você” (“Suffering For You”, and now you’ll get the pun in this post’s title) is the advance single, a song they have been playing live for a while now but only recently had the guts to record. It will come out as a special single on Groovement, this very Sunday, and it’s a wonderful 9-minute upbeat track about lost love, which is a very strange kind of paradox – it should be sad, miserable music, but it really isn’t, and it’ll put a smile on your face and possibly make your head nod to the beat. Feel free to check a live version here, although the low sound quality doesn’t make it justice, and dance away the pain of not having your beautiful red miracle kissing you right now. Maybe you’ll even start enjoying footb- oh, sorry, soccer.

PAC

Categories
old bolachas

If You Wait Long Enough: Songs Of Will Stratton

Will Stratton is a very talented musician: on his 25th birthday he had already produced four great albums full of amazing indie folk songs. Luckily I met Will last year, when he came from New York to Paris during his European tour with Paleo. I saw his concert in a charming apartment in Montmartre and the day after I saw him again in my favorite Parisian record store, Balades Sonores. With him Will brought his guitar and his last album, Post-Empire. The two little concerts made me fell in love with his songs and after that I listened to the album over and over again: it was my favorite album of 2012.

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old bolachas

The National – Trouble Will Find Me

When the National became what we could arguably call “present’s world greatest indie band”, a classification Brooklyn-via-Cincinnati group (tks, P4k) achieved among some folks with their widely acclaimed 2010 album High Violet, they’ve sort of crossed the river of relative “pop/rock starness”. That can be tough, can lead to get your own fans to stop from being your fans, can lead, in a band like the National, to an extreme, pernicious mainstreamization, to be sloughy about your song writing and music composition. Even if some people, like that friend of mine (no pun intended) who claimed that despite being a huge fan of Sad Songs for Dirty Lovers and Alligator, and “all tolerant” about Boxer (that enormous collection of catchy – though kinda sad – songs), thinks High Violet is awful, its drumming is unbearable, et cetera, et cetera, the fact is that a record like that only happens once in a blue moon. High Violet is the sad (and officier) version of Seinfeld, the sitcom, of the 21st century, in the form of a music record. Also, the National’s evolution with time is unbelievably well, I dare say flawlessly planned. They have grown as a band with the years, just the way most of their records do the more and more one listens to them (Alligator or its little brother Cherry Tree EP are, probably, the finest example of it), and their strategy is a good one: each time a new record comes out, a new sound, a new topic is added on top of what we already knew.

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old bolachas

The Hold Steady, “The Bear and the Maiden Fair”

Game of Thrones, please stop giving me reasons to watch you. A new The Hold Steady short song played over the credits on last night’s episode and I’m glad the Internet exists. Just imagine having to wait until that episode was broadcasted in Portugal to be able to listen to the song.

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old bolachas

Overseas

There’s not a single song nor a video to show you, but I had to take a pair of minutes just to let you know David Bazan (Pedro the Lion, Headphones), Will Johnson (Centro-matic, South San Gabriel), Matt and Bubba Kadane (Bedhead, The New Year) have formed a new band called OVERSEAS. There’s an album coming out later this year. Someone at Facebook took the time to say all I ever needed to say about this announcement: The mere idea of this makes me all warm and fuzzy. Word.

DSS