After a small break to record some music in the folky “superband” (we’re guilty, but can we all please forget this concept?) Bonny Light Horseman, Eric D. Johnson celebrates 20 years of Fruit Bats with a brand new record. “The Pet Parade” shows Johnson, one of the best melody crafters of the game, at his most dreamy and contemplative so far.
Tamara Lindeman’s work as The Weather Station is finally getting the critical acclaim it deserves. In “Ignorance”, and following what she started with the already superb self-titled album, the Canadian singer-songwriter goes way beyond her folkish roots and employs a constellation of musicians to dress up her stellar songs in lush instrumentation. We’ll be very surprised if this ends up outside our top three albums of the year.
Time for our return after the usual early June festival break. Bill Callahan is back with his first long play in six years, an unusually twenty songs long record called Shepherd in a Sheepskin Vest. It sounds like, well, exactly what you would expect from Callahan.
Time for the yearly meeting of the Cate Le Bon Appreciation Society, on the occasion of the release date of the Welsh songwriter’s fifth album, “Reward”. The goddaughter of the 90s Welsh indie pop of Gruff Rhys et al has long outgrown her own scene, and her exquisite avant-pop reached a level of uniqueness that makes it impossible to lump her together with anyone at all. It’s yet another magnificent record from Le Bon and we’re thrilled to live in the same era as she’s making music.