After two very promising EPs back in 2019, Dry Cleaning have finally launched their first long play, ‘New Long Leg’. Here, Florence Shaw’s sharp, deadpan spoken word vocals contrast with the chaotic instrumentation of the English post-punkish art-rockers in one of the most intriguing (and well accomplished) rock and roll albums of 2021.
The Hold Steady was the last band (part of) our team saw before the world has changed, in a year that started recreational, but ended kinda medical. Our yearly pilgrimage to London will unfortunately not happen in 2021, but they’re making up for it with their first proper album since 2014 (not counting 2019’s single collection “Thrashing Thru the Passion”). Our favourite rock band is back. Let’s celebrate like it’s early March 2020, minus the getting ourselves crammed inside a room with no masks on. At least for now.
In a surprising contender for first new exceptional album of the year, James Yorkston teams up with Swedish folk-rock-ish outfit The Second Hand Orchestra to deliver “The Wide, Wide River”, a “krautfolk” machine that got us hooked at first listen.