After a small break to record some music in the folky “superband” (we’re guilty, but can we all please forget this concept?) Bonny Light Horseman, Eric D. Johnson celebrates 20 years of Fruit Bats with a brand new record. “The Pet Parade” shows Johnson, one of the best melody crafters of the game, at his most dreamy and contemplative so far.
Tamara Lindeman’s work as The Weather Station is finally getting the critical acclaim it deserves. In “Ignorance”, and following what she started with the already superb self-titled album, the Canadian singer-songwriter goes way beyond her folkish roots and employs a constellation of musicians to dress up her stellar songs in lush instrumentation. We’ll be very surprised if this ends up outside our top three albums of the year.
It’s hard to talk about Buck Meek without referring to him as “Big Thief’s Buck Meek”. But his solo work – with a little help from some of our favorite handymen of indie music such as Mat Davidson (Twain) and Adam Brisbin – is its own thing, with Meek’s characteristic voice paving the way to beautifully arranged songs. Songs that we’re definitely going to use as an argument when, come November, you’ll say, as always, that “this wasn’t a very good year for music”.