




This year we’re going full Aquarium Drunkard (AKA the only music year end list worth reading). Except, these are just one person’s choices (unlike Bolachas Now Playing, which is a team effort). And he’s only doing this because it’s a slow week at his real work. Meaning, “going full Aquarium Drunkard” is, really, just adopting the format: a list of 100 un-ordered records bound together in groups of 4. Plus a short tweet about each of them. There are a few Spotify playlists at the end of the post, plus Bandcamp links to those records whenever available.


Robert Finley’s story as a musician that finally has their breakthrough on their 50/60s is not unique – see Charles Bradley or Seasick Steve – but always impressing to hear about. After decades of obscurity, blues/soul songwriter Finley was spotted busking outside a music festival in Alabama, and the rest is history. His second album, “Sharecropper’s Son”, produced by Dan Auerbach, is out now. It’s our album of the week.