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Bolachas Now Playing

#199: Esther Rose, “You Made It This Far”

The first September 2019 playlist brings you the very #bolachascore Esther Rose on the occasion of her second album, “You Made It This Far”. The New Orleans-based songwriter has just released – via Father/Daughter Records – one of our favorite country-tinged folk records of the year, and we can’t wait for you to fall in love with it (and for Rose and her band to cross over the ocean). Plus: new tracks by Vetiver, (Sandy) Alex G, WhitneyBlack Belt Eagle Scout, Jay Som, Joan ShelleyCross Record, Tom Brosseau, Red River DialectPatty Griffin, Simone White, Lana Del Rey, Kelsey Waldon, Ainsley Farrell, Paul Cauthen, The Devil Makes Three, Comet Gain, Have a Nice Life, Jason Lytle, Lightning Bolt, Fontaines D.C., and Pinegrove.

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Bolachas Now Playing

#198: The Hold Steady, “Thrashing Through the Passion”

We’re back and we’re bringing you a ton of music. Unusually, August was kinda eventful, with plenty of great single and album releases. So we had to exaggerate a bit and make a 33 song playlist (and we had to leave quite a few tracks out to make it reasonable). Our focus this week is The Hold Steady’s new album “Thrashing Thru the Passion”, probably their best since 2008’s “Stay Positive”. There’s no way we’re tagging every single artist this time around, so just scroll down for the track list.

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Bolachas Now Playing

#196: Ada Lea, “what we say in private”

‘what we say in private’ is the debut album by Canadian singer-songwriter/painter/visual artist Alexandra Levy, or Ada Lea. It’s been out for less than a handful of days but it’s already one of our indie rock albums of the year. Is it because its opening song sounds like a lost track off Wilco’s Yankee Hotel Foxtrot’s recording sessions that eventually morphs into a more layered Big Thief song, while never sounding like a tribute to either bands? Or maybe it’s because of the stellar songwriting in it. We don’t know. Let’s just listen.

Plus: new tracks by Wilco (the new kind of Wilco, not the old YHF one), Andrew Combs, Strange Ranger, Long Beard, Aviva le Fey, Shannon Lay, Joan Shelley, Holy Golden (now known as Dolly Valentine), Summer Salt, Grace Lightman, Bleached, Roselit Bone, Trash Kit, Fly Pan Am, Adam Green, Tony Molina, Leon Bridges, Whitney, RF Shannon, Hiss Golden Messenger, Joe Pug, Jim Lauderdale, and Twain + The Deslondes.

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Bolachas Now Playing

#191: Bill Callahan, “Shepherd in a Sheepskin Vest”

Time for our return after the usual early June festival break. Bill Callahan is back with his first long play in six years, an unusually twenty songs long record called Shepherd in a Sheepskin Vest. It sounds like, well, exactly what you would expect from Callahan.

Go have a listen after you’re done with our ridiculously long playlist – 31 songs by 30 different artists over almost two hours: House and Land, Jambinai, Shellac, Kate Tempest, RF Shannon, Whitney, Bruce Springsteen, Richard Hawley, Lower Dens, Julia Shapiro, Stef Chura, The Divine Comedy, Adam Green, Tim Heidecker, David Berman’s Purple Mountains, Will Johnson, Lukas Nelson & Promise Of The Real, Hiss Golden Messenger, Chris Stapleton, Willie Nelson, Sturgill Simpson, Jake Xerxes Fussell, Michael Fracasso, Fruit Bats, Eilen Jewell, Bedouine, Joan Shelley, Julien Baker, and Shannon Lay.

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live

NOS Primavera Sound 2017: what not to miss

Shellac.

Ok, ok, let’s get a little bit deeper than this.

First, the playlist:

THURSDAY, JUNE 8

We know it’s hard to go to the festival this early, especially when the only artist playing that early is a Portuguese singer-songwriter singing in a language you probably don’t understand. But really, give him a shot: Samuel Úria (17:00, Super Bock stage) is probably our favorite dude-with-a-guitar-singing-in-Portuguese. This should have been Grandaddy’s night, but misfortune knocked at their door and we’ll get Arab Strap instead (21:10, Super Bock). Recently reunited after a 10-year hiatus, the Scottish influent duo might look oddly placed between Miguel’s adventurous R&B (20:00, NOS) and Run the Jewels’ (22:20, NOS) raucous hip hop set, but hey, this is Primavera.


FRIDAY, JUNE 9

Painful decisions are to be made early in the day, with Whitney **(18:50, Super Bock) and **Royal Trux (19:00, Palco., or “the stage formerly known as ATP”) fighting for your attention. Last year’s _Light Upon the Lake _and their recent new single “You’ve Got a Woman” brought Whitney to the spotlight and were one of our highlights at last years’ Vodafone Paredes de Coura Festival. If they bring the full band to Porto it will be difficult to not see at least part of their show, but the prospect of witnessing Royal Trux’s reunion show swings the pendulum on the other direction. Last year, Neil Hagerty walked all over whoever was seeing him at the same stage, and this year he brings his lifelong partner Jennifer Herrema along. Well, at least **Angel Olsen **(19:50, NOS), who needs no introduction (seriously, she doesn’t – this is usually what people say when they’re too lazy to write anything substantial about an artist, but she really doesn’t) has no opposition, so I guess we’ll all be there, right?

Same with the first 30min of Sleaford Mods (20:30, Palco.), we’re guessing. Their music is definitely not for everyone, but then again most music isn’t. Just one day after the British election, expect the Nottingham working class heroes to be extra angry while spitting their verses. We were similarly angry when we realized two of our favorite acts in the whole festival, Nikki Lane (21:00, Pitchfork) and Teenage Fanclub (21:00, Super Bock) are clashing. Life isn’t fair. Country darling Nikki Lane has just released her third solo album, Highway Queen, and has a mountain to climb trying to win over a crowd that usually disregards country music as food for hillbillies’ ears. Teenage Fanclub, lords of British indie rock, have been touring relentlessly after releasing one of the finest albums of their almost 3 decades long career, Here. The toughest choice of the year.

And here’s to hoping we can hear Julien Baker (22:30, Pitchfork) during Swans’ set a few metres away (22:00, Palco.). The young songwriter from Memphis is set for indie stardom, releasing her sophomore record later this year on Matador, and faces fierce opposition, not only from Swans (on their last tour, at least with this lineup) but from bearded-folky-guy-turned-glitchy-weirdo Bon Iver. Later on, Hamilton Leithauser (00:00, Pitchfork) returns to Primavera without his Walkmen and the party goes on with King Gizzard & the Lizard Wizard (01:00, Palco.) and Nicolas Jaar (01:00, NOS) splitting the audience in half: rockers to the left, dancers to the right.


SATURDAY, JUNE 10

The Growlers’ (19:50, NOS) make some of the catchiest songs of modern rock and roll, and their latest record, produced by the Strokes’ Julian Casablancas, is filled to the brink with such tracks. Expect fun. Then, it’s time for the yearly pilgrimage to wherever Shellac are playing (20:30, Palco.). This year, they play unusually early, but maybe that’s a good thing – they’re back to the stage where they originally played every year. Steve Albini, Bob Weston and Todd Trainer will – of course – once again provide us with the best show of the festival. I’m pretty sure we wrote the same exact thing last year.

Mitski (21:00, Pitchfork) is not exactly a good kept secret anymore, with her Dead Oceans-released latest album, Puberty 2, making her reach new heights. She will be followed by another songwriter at the top of her career, **Weyes Blood **(22:30, Pitchfork). _Front Row Seat to Earth _was one of our favorite records of 2016. Like Julien Baker the night before, she’s playing simultaneously with two of the most popular artists in the festival, but will have no trouble catching the attention of whoever passes casually through that stage.

Towards the end of the festival we switch to full-on party mode, with Canadian garage rock duo Japandroids (23:20, Super Bock) warming up to Aphex Twin (00:30, NOS)’s clusterfuck of a set (preview here) and The Black Angels (01:00, Palco.)’s psychedelic rock. And while we’re still longing for another of those DJ Coco sets at closing time that (again) won’t happen this year, there’s still a lot of dance to be had until the sun comes up for the last time.