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So.ma – Fuga EP (2012)

Fuga may be So.ma’s debut release, but none of the band members can be called a novice. Raising from the ashes of the mid-00s Portuguese powerhouse Madcab, which included now-well established musicians Luís Costa or Azevedo Silva, So.ma’s first EP follows the footsteps of said now defunct act and drinks from the same water that made Oceansize’s brand of neoprogrock (whatever that means) so popular in the latter years of last decade. You can stream and download the five tracks for free on their Bandcamp. Just follow the widget below.

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<a href=“http://somapt.bandcamp.com/album/fuga” data-mce-href=“http://somapt.bandcamp.com/album/fuga”>Fuga by So.ma</a>

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Horrible Present, “Union Plaza EP”

Another solid release from the amazing pop songs crafter that is Nicola Donà, or Horrible Present. It’s not the first time we’re posting about him and certainly this won’t be the last. These four brand new songs were progressively released in the weeks leading to this release and are now available for free download as a package (grab them on Bandcamp). “April 1944” is my song of the month. I’m glad I live in the same world as Horrible Present.

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This is the soundtrack of the sunny days you’re missing out by staying at home playing partypoker for hours (kidding, it’s been raining for two days now even here in supposedly-sunny-Portugal and it feels good to stay at home for a while). Blonde Summer’s second EP Slow Daze couldn’t be more appropriate for this season, as the band name lets loose.

Just by seeing the album cover and the band-album name combo I bet you imagine what this sounds like: surf-rock influenced pop tunes, drenched in sunlight and washed out vocals to chill by the poolside to. Opening tracks “Slow Days Fast Company” and “Robots on Command” are the highlights here – great riff on the chorus of this latter, though it seems like we’ve seen this before.

What we didn’t see happening plenty of times though is a feel good hit of the summer that is able to live beyondthat specific summer is hard to find. I’m having a hard time believing this could be the case, but hey, there’s still one month left. Could we just get a little bit of warmth for what’s left of this lackluster “summer”?

<a href=“http://blondesummer.bandcamp.com/album/slow-daze” data-mce-href=“http://blondesummer.bandcamp.com/album/slow-daze”>SLOW DAZE by Blonde Summer</a>

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Guest post: Peter Broderick – photographer and musician

Peter Broderick is one of those artists who has such a wide range of things he does.  At times his music is reminiscent of the more ambient aspects of Aphex Twin; at other times he has kind of a weird version of a Ben Folds vibe going.

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Holobody, “Riverhood” (Mush Records, 2012)

I’ve first heard of Sea Oleena when my mates from Lizard Kisses told me she was going to participate on their latest EP, Tiny Island Teeth, which I released on Cakes and Tapes late last year. Since I heard that one song, I instantly went and downloaded her latest album, Sleeplessness, which got me hooked for weeks. Her name caught my eye again when reading the press release relative to this album, and I knew I had to take a listen to it.

Holobody is a duo comprised of Oleena and her brother (which goes by the moniker of Felix Green). One can read the words “gospel, "hip-hop”, “electronica” and “folk” in the first sentence of the album description. Beware. Such a melting pot of genres may put off anyone who isn’t exactly looking for the future of music in the non-form of a batch of mp3s AND got tired of 96% of all music tagged “experimental” on the internets. That would be me, but strangely enough I found Riverhood’s opening track, “Unfold”, to be quite entertaining – sounds like something Why? could have done – and decided not to close the tab on which I was streaming it right away.

After listening to her solo stuff, it may seem a bit strange to hear Sea Oleena rapping – but then again, she never sounded conventional at all. On “Hurricane Season” she shares singing/rapping duties with her bro Green above a sea (pun not intended) of bleeps, bloops and samples; “Riverbed” is the highlight in the first half of the record, with Oleena’s whispered vocals providing a warm atmosphere. One of my few personal complaints about Riverhood as a whole is how the constant shift from quiet and ethereal to beat-infested schizophrenia puts me off from listening to it from start to finish without skipping a track or changing the tracklist around; fortunately enough, “Down to the River to Pray” kicked in near the end of the album – here’s the gospel! And it makes me want to praise the Lord or something. That’s what I wrote on a review of Spiritualized’s Sweet Heart, Sweet Light that I never finished and that’s what I’m going to say everytime I hear the words “Lord”, “Jesus” or “God” on a good song. But this time I think I saw the light somewhere during this jam’s coda.

&amp;lt;a href=“http://holobody.bandcamp.com/album/riverhood” data-mce-href=“http://holobody.bandcamp.com/album/riverhood”&amp;gt;Riverhood by Holobody&amp;lt;/a&amp;gt;

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