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Bolachas Now Playing

#66: Lionlimb, “Shoo”

This week on Bolachas Now Playing we feature Lionlimb’s debut record Shoo. You might have heard of them as Angel Olsen’s backing band, but their record is a gem on its own. Plus: Dinosaur Jr, Destroyer, Cass McCombs, Cate Le BonWoods, Robert Glasper, Gang of Youths, My Morning Jacket, Andy Shauf,Phosphorescent + Jenny Lewis, Sara Watkins, Hard Working AmericansRobert Ellis, and DEAKIN.

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Bolachas Now Playing

#60: Woods, “City Sun Eater in the River of Light”

City Sun Eater in the River of Light by Woods is our pick in this week’s playlist.

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Bolachas Now Playing

#54: Mount Moriah, “How to Dance”

Mount Moriah’s How to Dance comes out today. It’s our album of the week (month?) and there’s three songs off it on our weekly playlist. But there’s more: 13 more songs by Damien Jurado, Parquet Courts, Delta Spirit’s Matthew Logan Vasquez, Marlon Williams, Woods, Lake Street Dive, Plastic Flowers, Minor Victories, Pantha du Prince, Rosie Lowe, FKA twigs, ZAYN, and Freakwater.

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Bolachas Now Playing

#49: David Bowie, “Blackstar”

Bolachas Now Playing is back with plenty of new music after the holiday season. David Bowie would still be featured even if he was alive – his latest record, Blackstar, is undoubtedly the first highlight of 2016. Some old favorites will be releasing new records this winter/spring (Explosions in the Sky, Tortoise, Woods, Yeasayer, Basia Bulat, Eleanor Friedberger), some are just starting (Cam, Anderson Paak, Margo Price) but there’s so much more: new tracks by Villagers, Jacob Faurholt, Matthew E. White & Natalie Prass, Santigold, and Brandy Clark. Here’s the first Bolachas Now Playing of the year, the 49th since we first started.

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live

Vodafone Paredes de Coura 2015 – the review

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Someone playing in front of a lot of people in the most perfect scenery you can get in a music festival. Photo by Hugo Lima [Vodafone Paredes de Coura]

Writing a review about Vodafone Paredes de Coura is always one of the most painful things I can do as a music writer. First, if I am to judge the musical performances – and, of course, some of those were pretty forgettable, others not even worth mentioning, as there are always some rotten strawberries even in the nicest basket – I can never do justice to how good the festival is as a whole. Second, if I’m to write a review, it means this years’ edition of the festival – and the best week of the whole year for most people who attend it – is over, and there are 51 boring weeks left until we return.