

I’ve lost count of the amount of times I wrote “Produced by Dan Auerbach” here when describing an album. Yola‘s “Stand For Myself” is another of those. Her debut record, “Walk Through Fire”, was gaining serious traction when the pandemic hit, robbing her of well deserved high profile shows and festival slots – but not for long. Fresh off a Newport Folk Festival slot, this might be the possible songwriter’s dream summer.
Garrett T. Capps. Photo by Knelis / TakeRoot
It’s midnight in Groningen. It’s the end of an abnormally warm November saturday and it should also have been the end of an eight hour marathon of roots and americana across six rooms in the De Oosterpoort complex. But Garrett T. Capps and his NASA Country have different ideas. Suddenly, a “curfew” seems like a malleable concept as fellow Texans Robert Ellis and James Steinle join the band on stage for a sprawling and ecstatic “Born in San Antone” and a version of the classic “She’s About a Mover”, penned by San Antonio’s very own Doug Sahm. Capps seems comfortable as the frontman to a 21st century version of the mighty Texas Tornados, powered by a strong rhythm section and an unusual synth that takes his brand of Americana to another dimension. I’ve been calling it krautcountry after seeing them in Paradiso’s small room in the same evening as Faust and Camera, and you should too.