Pop punk will never die, but you will. The Moore Family Band‘s debut album “Missy” is only 22 minutes long but has more hooks than a fancy React application (sorry, no more front-end jokes in this space). That would be easy to explain with Jeff Rosenstock’s presence in a couple of tracks, but the Californian trio consistently delivers the goods elsewhere in the record.
Toronto experimental jazz outfit Badge Époque Ensemble is back with “Self Help”. Just like in their 2019 debut, the collective has channeled selected vocalists to voice some of the tracks – one of them one of our favorite Canadian singer-songwriters, Jennifer Castle.
Katy J Pearson is a Bristol-based singer-songwriter who does Western inspired pop music with folkish undertones. We first heard of her while touring with the likes of Cass McCombs or Olden Yolk, and her debut record, “Return”, is out now.
“Boots No. 2: The Lost Songs” is a three volume collection of lost unreleased tracks straight from the Gillian Welch and Dave Rawlings vault. The third and final part was just released last Friday and it’s in our spotlight for week 45.
You might know Heather Trost as one half of A Hawk and a Hacksaw (with Neutral Milk Hotel’s Jeremy Barnes) and as a collaborator in various other projects, from Beirut to Swans. “Petrichor” is her third solo LP, and unlike her mostly acoustic endeavours as a violinist, it’s a psychedelic pop treasure that won’t take long to start looping in your head (and in your favourite music player).