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Optimus Primavera Sound 2012: day 1

Porto – © Wilco’s Mikael Jorgensen

Culturally growing since the dawn of the 21st century, the northern Portuguese city of Porto lacked something: a real big urban festival. Luckily for Porto, Primavera Sound Festival in Barcelona grew so much the organizers decided it was about time to expand the brand to somewhere else in Europe and Porto, Portugal’s second bigger city and most vibrant cultural hub of the country (exactly what Barcelona is in the Spanish context) was arguably the right choice for the new festival. Not saying that because the city’s nearby the towns where most of the Bolachas team lives. This charming city makes everyone fall in love, from the attenders who came from places like the US, New Zealand or Estonia to artists who traveled the world countless times before coming here – the picture above, posted on Wilco’s Instagram account, is accompanied by a note saying “Let’s all move here!”. (Please do.)

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Optimus Primavera Sound 2012: A Preview

Today’s the day. Optimus Primavera Sound starts in a matter of hours and we’ll be covering it live via our facebook and twitter accounts. Be sure to follow them – if you don’t use such artifacts, you’ll be able to read our full review here on the website later on. To help you choose what to see in the fest, five of our team members who are going there made their picks and chose 3 bands you shouldn’t miss. Who’s that stranger that goes by the initials CB? Yeah, that’s our special guest Chris Brokaw, Codeine’s legendary drummer.

Also, don’t forget to print our timetable, in case you missed it.

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Optimus Primavera Sound 2012 Printable Timetable

Optimus Primavera Sound 2012 Printable Timetable

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Matt Elliott @ Mercado Negro, Aveiro (31.05.2012)

If you’ve ever been to an amusement park, certainly you’re familiar with that anxiety minutes before riding that humongous, scary and life-threatening roller coaster (even if at the last call you decide to quit, like my mother used to do a couple times). And although it’s not that sort of concert which you don’t have a clue of what’s about to be, this same feeling got into me, maybe just for the thrill of it.

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Young Man @ Petit Bain, Paris (30.05.2012)

I really admire young people doing good stuff and Young Man is a project that fits in my patterns of admiration and respect. Young Man is the alter ego of Colin Caulfield, a 20-something-year-old boy that presented himself in Paris this week, in a floating venue called Petit Bain.

If you had been following Young Man, I am sure that you noticed that he had been growing up. Colin gained some visibility thanks to a set of videos that he posted on youtube covering some artists like Beach House, Grizzly Bear or the huge Deerhunter. Boy, his first EP, saw the light of day in 2010 and afterwards he challenged himself to record an album trilogy in 18 months. The first album of this trilogy was Ideas of Distance, recorded in 2011 and this year he released the second album, which is ironically called Vol.1. In Vol.1 Colin shows to the world his passage from the adolescence to the adult life, a very important moment on his musical trajectory. Vol.1 is also the first album that he recorded on a studio and with a full band: Emmett Conway on the guitar, Joe Baley on the bass, Dylan Andrews on the drums and Jeff Graupner on the synthesizers.

All these folks came with Colin from Chicago to Paris, playing the concert at Petit Bain. I am a total mess when I try to identify the music genre of any band, but I never doubt when dream pop is the right answer. In fact, the entire concert was a beautiful experience of dream pop, in a way so much stronger than we can feel in the albums. Young Man played the right formula: the conversion of the melodic songs in the albums to intense themes in the concert was very wise.

The concert had only 8 songs, all of them long and perfectly connected. They started with “Fate”, a track off Vol.1, and after that they visited Boy and Ideas of Distance with “Just a Growin’” and “Felt”. In addition, they also played some new songs that are not recorded yet. Yeah, they played a bit of all of their work only with 8 songs.

I would like to have listened more songs of Vol.1 though. I really missed the beautiful tracks “Thoughts”, “By and By” and “21”. It would be great if they had stayed longer on board of Petit Bain and had played more songs.

Alone in the stage, Colin said au revoir to Paris with “Directions”, the joyful ending song of Vol.1. Colin, who lived and studied in Paris during a few months, started this song in French but eventually he switched to English, just after promised that he will sing the French version on his next visit to Paris. “I don’t know where I’m going. Am I already there? Is it already there?” repeated Colin at the end of the concert, as an exposition of some doubts of a young man that is taking his own directions on his musical route.

RBC

Setlist:

1.     Fate (vol.1)

2.    Just a Growin’ 

3.     Felt

4.     Unfair

5.     Do

6.     School

—-

7.     Time

8.     Directions