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#266: The Weather Station, “Ignorance”

Tamara Lindeman’s work as The Weather Station is finally getting the critical acclaim it deserves. In “Ignorance”, and following what she started with the already superb self-titled album, the Canadian singer-songwriter goes way beyond her folkish roots and employs a constellation of musicians to dress up her stellar songs in lush instrumentation. We’ll be very surprised if this ends up outside our top three albums of the year.

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#265: Arlo Parks, “Collapsed in Sunbeams”

Feel-good pop doesn’t seem to fulfil its promise these days. But Arlo Parks‘s debut album, “Collapsed in Sunbeams”, manages to bring a little bit of sunlight-infused pop into our hearts and ears. Extra points for the poetic-feel and the whimsical but very accurate Portra 400 reference.

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#264: James Yorkston, “The Wide, Wide River”

In a surprising contender for first new exceptional album of the year, James Yorkston teams up with Swedish folk-rock-ish outfit The Second Hand Orchestra to deliver “The Wide, Wide River”, a “krautfolk” machine that got us hooked at first listen.

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#263: Buck Meek, “Two Saviors”

It’s hard to talk about Buck Meek without referring to him as “Big Thief’s Buck Meek”. But his solo work – with a little help from some of our favorite handymen of indie music such as Mat Davidson (Twain) and Adam Brisbin – is its own thing, with Meek’s characteristic voice paving the way to beautifully arranged songs. Songs that we’re definitely going to use as an argument when, come November, you’ll say, as always, that “this wasn’t a very good year for music”.

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#262: Aaron Frazer, “Introducing…”

Aaron Frazer is best known as the drummer (and singer) for soul outfit Durand Jones & the Indications. Like so many songwriters in the past few years, he teamed up with the Black Keys’ Dan Auerbach and got his debut solo album, “Introducing…”, ready in no time. We’re not even halfway through January and we already have our first highlight of 2021. Feels good to be back.