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Bolachas Now Playing

#428: Sour Widows, “Revival of a Friend”

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Bolachas Now Playing

#391: Margo Cilker, “Valley of Heart’s Delight”

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Bolachas Now Playing

#249: Daniel Romano’s Outfit, “How Ill Thy World Is Ordered”

Bolachas Now Playing, a new music Spotify playlist, updated every Wednesday.

If every album Daniel Romano has released in 2020 was on Spotify, it’s very possible that you would have seen his face in this playlist at least three or four more times. “How Ill Thy World is Ordered”, an album credited to his Outfit, is Romano’s 10th release of the year (ninth? eleventh? We lost track) and probably the best of the bunch. If you want to see someone going from acoustic Dylan to Parsons to Vega to Springsteen to Richman to electric Dylan and simultaneously always sounding as unique as he is, here’s an album for you. Then check his Bandcamp for hours of excellent new music, from proggy jams with Tool’s Danny Carey to traditional country tunes. Daniel Romano is the hottest artist in contemporary rock and roll music.

Plus: brand new tracks by Sam AmidonDawesRandall BramblettGrant-Lee PhillipsNative HarrowFaye WebsterThe ShilohsRudy de AndaTiñaThrowing MusesJohn DaveyPorridge RadioMary LattimoreTomberlinTrummorsJennifer CastleFenne Lily, Alasdair Roberts, Tyler ChildersWaylon PayneBecky WarrenGus ClarkThe Bad OatsMatt CostaTyler RamseyYo La Tengo, and Delta Spirit.

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live

The TakeRoot 2019 review

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Garrett T. Capps. Photo by Knelis / TakeRoot 

It’s midnight in Groningen. It’s the end of an abnormally warm November saturday and it should also have been the end of an eight hour marathon of roots and americana across six rooms in the De Oosterpoort complex. But Garrett T. Capps and his NASA Country have different ideas. Suddenly, a “curfew” seems like a malleable concept as fellow Texans Robert Ellis and James Steinle join the band on stage for a sprawling and ecstatic “Born in San Antone” and a version of the classic “She’s About a Mover”, penned by San Antonio’s very own Doug Sahm. Capps seems comfortable as the frontman to a 21st century version of the mighty Texas Tornados, powered by a strong rhythm section and an unusual synth that takes his brand of Americana to another dimension. I’ve been calling it krautcountry after seeing them in Paradiso’s small room in the same evening as Faust and Camera, and you should too.

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live

TakeRoot Festival 2019: our picks

The Grote Zaal of De Oosterpoort during the 2018′s TakeRoot festival.

TakeRoot Festival. Saturday, 2 November 2019, at De Oosterpoort, Groningen, The Netherlands. Tickets for sale here.

Coming of age in the era of MySpace meant stumbling into a lot of “A little bit of everything, except country and rap” on your fellow scenester’s profiles. Fast forward some 15 years, and there’s a rapper headlining your favorite indie festival, much to the disgust of a few folks who haven’t grown from their proud everything-except-country-and-rap pedestal. But most young alternative Europeans still look at country music with the same disgusted look that your aunt made the first time she stumbled upon a 50 Cent music video.