Tag: caroline spence
Bolachas Now Playing, a new music Spotify playlist, updated every Wednesday.
Bolachas Now Playing, a new music Spotify playlist, updated every Wednesday.
Max Clarke, aka Cut Worms, sounds a bit like if Jim James was sent back to the 60s in a time capsule to perform in folk-rock and Merseybeat outfits. His new double LP “Nobody Lives Here Anymore” has to be our most anticipated release of the year. We tried very hard not to include all of the nine (!) advance songs Jagjaguwar has slowly put out in the past five months. Now that it’s all out, its 77 minutes will take a lot of time to digest – mostly because it’s impossible to not get hooked in one or another of the nuggets hidden inside this record.
Plus: new tracks by Dawes, Drive-By Truckers, CAAMP, Wendy Eisenberg, Slow Pulp, Fast Friends, Pearl Charles, Caroline Spence, Liz Longley, Magik Markers, The Antlers, Psychic Temple, North Americans, Mary Lattimore, Garcia Peoples, Mdou Moctar, The Budos Band, Rob Mazurek, Gustaf, METZ, Wild Pink, Buck Meek, The Bad Oats, Shaela Miller, and Jackson Emmer.
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The TakeRoot 2019 review
Garrett T. Capps. Photo by Knelis / TakeRoot
It’s midnight in Groningen. It’s the end of an abnormally warm November saturday and it should also have been the end of an eight hour marathon of roots and americana across six rooms in the De Oosterpoort complex. But Garrett T. Capps and his NASA Country have different ideas. Suddenly, a “curfew” seems like a malleable concept as fellow Texans Robert Ellis and James Steinle join the band on stage for a sprawling and ecstatic “Born in San Antone” and a version of the classic “She’s About a Mover”, penned by San Antonio’s very own Doug Sahm. Capps seems comfortable as the frontman to a 21st century version of the mighty Texas Tornados, powered by a strong rhythm section and an unusual synth that takes his brand of Americana to another dimension. I’ve been calling it krautcountry after seeing them in Paradiso’s small room in the same evening as Faust and Camera, and you should too.