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live

Spain @ Hard Club, Porto (19.05.2012)

There’s something heartwarming about this first couple of years off this decade. To make up for the absence of new groundbreaking albums released on this period, grandiose bands who were kinda dead for more than 10 years decided this was the right time for a comeback. Bands like Swans, Superchunk, My Bloody Valentine, the Afghan Whigs, At the Drive-In or Refused started/are starting to take over all the summer festivals that matter. Spain, quietly reformed by frontman (and only permanent member of the band) Josh Haden back in 2007, might not be following their trail into the big stages, but they’ve just embarked on a full European tour after releasing The Soul of Spain, their first full length record since 2001’s I Believe. Last Saturday, at Porto’s recently renewed venue Hard Club where they last played 13 years ago, Haden and the new band proved that not only his songwriting remains as good as it was back then; Spain’s live show is still rock solid.

(Honestly, I have no clue about it as I was just 11 back then. The only Spain I knew back in the day was Tui (that lovely border town where I bought my first Final Fantasy game), Vigo and A Coruña.)

(due to the lack of a decent camera, here’s a picture of the soundcheck via the band’s twitter account)

Haden knows everyone loves The Blue Moods of Spain. Haden is a crowd pleaser. Haden decides it’s a wise choice to play their 1995 iconic debut album on its entirety in the first part of the concert. He’s totally right: four songs into the show and the band’s playing everyone’s favorite song, the not-so-wisely-titled “Untitled #1” (watch some footage below, recorded by someone else. Thank you, by the way). From the hardcore fans paying €25 to see them to the broke but awesome people who could only afford to be there thanks to a lovely website who was handing out tickets for the show, everyone felt that was money well spent. The sound quality was so pristine that it looked like you were listening to the album on your living room using a million dollar sound system, except that yesterday you had an opportunity to do it while looking miserable around everyone else, asking the bartender to pour some more of that ol’ whiskey bottle on your glass. That’s the wet dream of every 40 year old depressive/depressing man who never got over that heartbreak from over 15 years ago, right?

After a 20-minute break, which I bet they required in order to watch the Champions League final’s penalty shootout, the band returned to the stage for a regular set comprised of songs from the rest of their discography, including the latest LP: “I’m Still Free”, the first song released by this new incarnation of the band, was one of the highlights here, with Haden repeating the somewhat basic but powerful lines on the chorus over and over again: “I’m still free/I’m still free/And I tell the world about it/‘Cause I got no doubt about it” while keyboardist Randy Kirk had his moment of glory, elevating the song into the instant-classic-song-pantheon through his Hammond.

Of course such a crowd-pleaser band knew how to end a show on a high note: “Our Love Is Gonna Live Forever”, She Haunts My Dreams’ wallowing closing track was played just before the encore, which consisted of arguably the best song off it, “Nobody Has to Know”. Too late: now everyone who was there knows Haden and the band are still on top of their game. Like in every single year’s Eurovision song contest, here are the results of the Portuguese voting: twelve points to Spain.

Setlist:

1 – It’s So True
2 – Ten Nights
3 – Dreaming of Love
4 – Untitled #1
5 – Her Used-To-Been
6 – Ray of Light
7 – World of Blue
8 – I Lied
9 – Spiritual
-20 min break-
10 – Every Time I Try
11 – Only One
12 – Without a Sound
13 – I’m Still Free
14 – Before It All Went Wrong
15 – She Haunts My Dreams
16 – Oh That Feeling
17 – Make Your Body Move
18 – Sevenfold
19 – Our Love Is Gonna Live Forever
Encore
20 – Nobody Has to Know

DSS

Categories
live

ARLT @ Café de la Danse, Paris (16.05.2012)

ARLT @ Café de la Danse (16.05.2012)

First thing that you need to know (if you don’t know yet) about ARLT: they are French and they also sing in French. Maybe they are the first “French-singers” included in Bolachas and let’s to be honest: there is, in general and outside of France, a little resistance to French music. Yeah, I admit: my first commentary about ARLT after I saw them for the first time was something like “wow, they sing in French but they are really awesome!”. So, I will break that myth at least here in Bolachas and I will promote a bit of French music, as I was living in France (oh wait…).

I saw ARLT for the first time in Balades Sonores (again: one of the best places in Paris – I wish that everybody could visit it!) and that happened by accident. In fact, I went there to see Mariee Sioux, which played after them, as they share the same label in France: the stellar Almost Musique. I really loved their showcase, in such a way that I listened to them incessantly during the following days and looking forward to see them again.

Finally, my new meeting with them happened this week, at Café de la Danse.

Haight-Ashbury, the supporting band, brought from Glasgow some psychedelic folk songs such as Freeman Town and Everything is Possible. Some of their Parisians fans danced with a lot of enthusiasm in front of the stage, receiving the songs as they were sunshine (yeah, it was a bit bizarre). Beyond that, the three elements of the band – a boy and two very vintage girls (gotta love your grandmother’s dresses!) were really friendly, so I like to met them.

But let’s talk about ARLT. At Café de la Danse, ARLT presented Feu la Figure, their last album that came out on 23th April and that is a successor of La Langue, released in 2010. Feu la Figure includes some veiled figures, as the phantoms, the bones or certain animals and therefore dissect the songs is a very difficult exercise because, as the French say very often, “ce n’est pas evident”, not even with the help of the dictionary (my best friend on last months). However, you don’t need to understand every word that they sing to fall in love with them…

Sans mes bras, my favorite song of Feu la Figure, opened the concert and nobody needs to know French to realize that it is a love song… This song is just an example of how perfect is the mixing between the voices of Eloïse (“voix d’eau”) and the voice of Sing Sing (“voix de terre”). In fact, the strong complicity between Eloïse and Sing Sing is stunning – damn it, they really rock together.

But ARLT are more than these two amazing voices and the guitar of Sing Sing: in the left side of the stage, discretely sited on a chair, Mock completed all the songs with his fabulous guitar. In the L’eau froid, third song of their performance, we were arrested by a guitar duel between Sing Sing and Mock, naturally smoothed by the volatile voice of Eloïse. Eloïse, the beautiful Eloïse, which wore a cute red dress and that sometimes carried a hammer on her hands.

During the rest of the concert, they didn’t forget any animal that was included at Feu la Figure: Une sauterelle, Le ventre de la baleine, Tu m’as encore crevé un Cheval, Rhinocéros and Chien mort, mi amor – all of them passed by Café de la Danse.  Besides of the animals, who brought a lot of joy to the concert, Le périscope (another great love song) and La ville est triste (last song of Feu la Figure), spotted two calm and a kind of melancholic moments at this night.

Additionally to every song of Feu La Figure, as it was expected, they also played some themes of La Langue, especially at the end of the concert. My favorite “old” song was Je voudrais être mariée, a cover of a traditional song that Eloïse performed in such a perfect way.

I should also tell you that Sing Sing tried to escape from the stage to the audience twice! In the first time he left his guitar with Eloïse, but on the second one he acted like a rock star and he played for a while among the people that was seated on the floor near the band. Eventually, he went back to the stage, but after two encores ARLT went way, after a concert that reinforced my faith in the French music and my particular love about this amazing band.

Setlist:

1. Sans mes bras

2. Une sauterelle (dessinée par un fou)

3. L’eau froid

4. Le pistolet

5. Je voudrais être mariée

6. Le ventre de la baleine

7. Le Périscope

8. La Rouille

9. La ville est triste

10. Tu m’as encore crevé un cheval

11. Château d’eau

12. Rhinocéros

13. Chien mort, mi amor

14. De haut en bas

15. Que se passe-t-il?

16. Des dents

17. Lettre morte

RBC

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Uncategorized

Two Wounded Birds finally announced their (selftitled) debut LP, out next June 4/24 (Europe/US). We had already listened to the opening track “Together Forever”; now they’re offering a new song off it, “To Be Young”, available for streaming and download free download above. It’s exactly what you’d expect from a band who’ll release their record through Holiday Friends Recording Company, Jacob Graham from the Drums’ label. Classic pop with a big old school punk-like bassline. Summer’s saved.

DSS

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Island Twins, “Creepaway”

Isn’t there an old movie where a pair of twins ends up on a deserted island and something incestuous happens? Lagoon something? Or am I confusing it with a very, VERY weird dream I had the other night? Eh. The Island Twins are a New York band who’ve just recently released their debut LP, aptly titled Island Twins (OMFG SO ORIGINAL), and they play fuzzy pop tunes designed to melt your heart away or at least make you sing along to them. It’s good, I swear. “Creepaway” is their latest single, and you can download it for free here.

PAC

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a Jigsaw, “Even You”

Yet another video off Drunken Sailors and Happy Pirates, the latest LP by Portugal’s finest band from the last 10 years. Now available on vinyl.