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#185: Daniel Norgren, “Wooh Dang”

Swedish singer-songwriter Daniel Norgren has quietly been releasing a considerable amount of albums over the past eleven years on his Superpuma Records. “Wooh Dang” – an “intertwining of analog instrumentation, live performance, and rural field recordings” is probably his most accomplished work yet. His brand of rural Swedish blues have never sounded this good, and it took us some deep thinking to pick up two of his songs for this week’s playlist.

Plus: new tracks by She Keeps Bees, Sevdaliza,Cate Le Bon, Pip Blom, Mavis Staples, Molly TuttleHouse and Land, Rose Elinor Dougall, Kevin Morby, Fat White Family, Altın Gün, The YawpersDrugdealer, Ari Roar, Doug Tuttle, The Long Ryders, Field Medic, The Tallest Man On Earth,Spencer Tweedy, Chris Staples, Tōth, Valley Maker, and Joe Kaplow.

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#184: Damien Jurado, “In the Shape of a Storm”

Less than one year after the release of the excellent “The Horizon Just Laughed”, Damien Jurado is back with his 14th LP, the first on Mama Bird Recording Co. and Loose Music. It’s impressive how his songwriting keeps getting better with time – Jurado’s output between “Saint Bartlett” and now is arguably the best of his career – and this (mostly) acoustic collection of songs that clocks at a mere 27 minutes is by no means a secondary volume of his immense discography.

Plus: new tracks by Todd Snider, Paper Beat Scissors, Carl Broemel, Richard Hawley, The Mountain Goats, Alex Schaaf, Courtney Barnett, Aldous Harding, Heather Woods Broderick, Mega Bog, Sonny & the Sunsets, Os Amigos dos Músicos, Evripidis and his Tragedies, Trond Kallevåg Hansen, Lily Hayes, Palehound, Jesca Hoop, Lowly, Mutual Benefit, Josh Ritter, John Paul White, Anthony D’Amato, and Adam Carroll.

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#183: Weyes Blood, “Titanic Rising”

It doesn’t take long for the listener to realize Natalie Mering is an artist in her prime while listening to her fourth record as Weyes Blood. While the already remarkable “Front Row Seat to Earth” had its number of high peaks coupled with a couple of less remarkable moments, “Titanic Rising” is a serious contender for album of the year, and definitely a career best for someone we once thought was just Enya for people who order matcha lattes at modern coffee establishments. (Sorry about that.)

Plus new tracks by the likes of Vera Sola, Heather Woods Broderick, Siskiyou, Jake Xerxes FussellPhil Cook, Laura Stevenson, Alex Rex, M. Lockwood Porter, Los Coast, Super DopplerJonah Tolchin, Carl Anderson, Drunken PrayerPUP et al.

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#182: Andrew Bird, “My Finest Work Yet”

Andrew Bird’s “My Finest Work Yet” might not be exactly his best, but it’s definitely his most interesting record in ten years. It sounds familiar, it sounds like it has always been there, but it never sounds redundant. There has never been a better time to get back into his discography. What’s more: new songs by Kevin MorbyBedouineOlden YolkJosh RitterCraig FinnJustin Townes EarleLily & MadeleineDrugdealerDark TeaSam OutlawSon Volt, Richard Dawson, HRNSBlanco PalameraRyan PollieC DuncanChris ForsythBlack MidiLow Life, and American Football.

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#181: Lambchop, “This (is what I wanted to tell you)”

Lambchop wants to tell you something. We think you should pay attention, even if you’re not a fan of Kurt Wagner’s experiments with vocoders that are carried from 2016’s FLOTUS. Under the surface, the classic Lambchop sound is still there. Plus: new songs by ANOHNI, Weyes Blood, Cate Le Bon, Dave Depper and Laura Gibson, Roosevelt, Altın Gün, Ex Hex, Nilüfer Yanya, Caroline Spence, Luther Dickinson & Birds of Chicago, Mavis Staples, Strand of Oaks, Damien Jurado, Calexico and Iron & Wine, TK & The Holy Know-Nothings, John Paul White, Dylan LeBlancA.A. Bondy, Orville Peck, and Bill MacKay.