This year we’re going full Aquarium Drunkard (AKA the only music year end list worth reading). Except, these are just one person’s choices (unlike Bolachas Now Playing, which is a team effort). And he’s only doing this because it’s a slow week at his real work. Meaning, “going full Aquarium Drunkard” is, really, just adopting the format: a list of 100 un-ordered records bound together in groups of 4. Plus a short tweet about each of them. There are a few Spotify playlists at the end of the post, plus Bandcamp links to those records whenever available.
It doesn’t take long for the listener to realize Natalie Mering is an artist in her prime while listening to her fourth record as Weyes Blood. While the already remarkable “Front Row Seat to Earth” had its number of high peaks coupled with a couple of less remarkable moments, “Titanic Rising” is a serious contender for album of the year, and definitely a career best for someone we once thought was just Enya for people who order matcha lattes at modern coffee establishments. (Sorry about that.)
Plus new tracks by the likes of Vera Sola, Heather Woods Broderick, Siskiyou, Jake Xerxes Fussell, Phil Cook, Laura Stevenson, Alex Rex, M. Lockwood Porter, Los Coast, Super Doppler, Jonah Tolchin, Carl Anderson, Drunken Prayer, PUP et al.