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Bolachas Now Playing

#214: Field Music, “Making a New World”

Field Music’s new record is an odd but interesting one – a concept album about the after-effects of the First World War (and not about the war itself), worth reading about on the band’s Bandcamp page. It’s a slow first half of January when it comes to album releases, as always, but there are plenty of singles coming out every day. On our second playlist of the year, enjoy new tracks from the likes of The Men, MICH, Wolf Parade, Alan Power, Destroyer, Aoife Nessa Frances, The Shins, Califone , Nathaniel Rateliff, Christopher Paul Stelling, Andy Shauf, Grandaddy, Susanne Sundfør, Kyle McEvoy & Ed Askew, Moses Sumney, Bonny Light Horseman, Frazey Ford, Lilly Hiatt, Frances Quinlan, Anna Burch, Tennis, and The Black Lips.

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Bolachas Now Playing

#213: Duster, “Duster”

Our first playlist of the year looks back into December, picking some of the best singles released last month and focusing on Duster’s self-titled record, their first album in 19 years. The lo-fi indie rock trio’s first two albums were largely forgotten by the general public after they were released in the twilight of last century, but an online cult following surged in the last few years. This has culminated on the release of a Numero Group issued boxset earlier in 2019, and a new studio album followed later in the year.

Plus: new singles and songs from forthcoming albums by Khruangbin & Leon Bridges, Son Little, Caroline Rose, Los Coast, Whiskey Wolves of the West, The Yearlings, Jonathan Wilson, Spider Bags, Jung Shackleton & Buck Meek, LEYA, Pop. 1280, BOHREN & DER CLUB OF GORE/ official, Bill Fay, John Moreland, Terry Allen Art/Music, Holly Macve, Nadia Reid, Squirrel flower, Shannon Lay, Soccer Mommy, Marem Ladson, Branko / Ana Moura / Conan Osiris, and Natalia Lafourcade Oficial.

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Bolachas Now Playing

#212: Twain, “Adventure”

Twain has just released their new album, “Adventure”. Physical copies will only be out next year through our beloved Keeled Scales, but you can listen to its nine new tunes right now, just in time for winter. “Rare Feeling” was one of our favourite song-oriented albums of the latter half of the 10s. It is in great company now. Our last new music playlist of 2019 also features tracks by Sam Sanford, Toby Hay, Benjamin Tod, Soccer Mommy, The Secret Sisters, The String Cheese Incident, Luke Lalonde, The Hanging Stars, Roger Harvey, Hollow Ship, Les Big Byrd, Ondness, Action Bronson, Gyedu-Blay Ambolley, Coldplay, El Khat, The Good Ones, Adam Green, Bombay Bicycle club, and Scott & Charlene’s Wedding.

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Bolachas Now Playing

#211: Chico da Tina, “Minho Trapstar”

Hailing from Viana do Castelo, Portugal, Francisco da Concertina – or Chico da Tina – is the only trap star we know that plays concertina, would rather have a 18th century neoclassical painting on his neck instead of golden chains, buys his wares from local markets instead of “flea markets” or vintage shops, and whose notion of a good time is more likely to be a small village romaria instead of a club in the city. You won’t get it if you don’t know the language, but it’s your fault anyway. Plus: new tracks by Destroyer, Girl Ray, Jaakko Eino Kalevi, Lalalar, Health&Beauty, Black Bombaim & João Pais Filipe, Clark, Maria Reis, Josienne Clarke, Basia Bulat, Frances Quinlan, Hoops, Tōth, Califone, SUSS, Twain, Futurebirds, Tuomo & Markus, Drive-By Truckers, Honey Harper, and Leonard Cohen.

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live

The TakeRoot 2019 review

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Garrett T. Capps. Photo by Knelis / TakeRoot 

It’s midnight in Groningen. It’s the end of an abnormally warm November saturday and it should also have been the end of an eight hour marathon of roots and americana across six rooms in the De Oosterpoort complex. But Garrett T. Capps and his NASA Country have different ideas. Suddenly, a “curfew” seems like a malleable concept as fellow Texans Robert Ellis and James Steinle join the band on stage for a sprawling and ecstatic “Born in San Antone” and a version of the classic “She’s About a Mover”, penned by San Antonio’s very own Doug Sahm. Capps seems comfortable as the frontman to a 21st century version of the mighty Texas Tornados, powered by a strong rhythm section and an unusual synth that takes his brand of Americana to another dimension. I’ve been calling it krautcountry after seeing them in Paradiso’s small room in the same evening as Faust and Camera, and you should too.