Vodafone Paredes de Coura 2018. Photo by Hugo Lima.
Another summer, another missed opportunity to have a vacation somewhere because there’s nowhere else we’d rather be other than at our little paradise of Paredes de Coura, in northwestern Portugal. The festival runs from the 14th to the 17th of August, but, like always, the fun begins way earlier than that, with four fun-packed, free entrance days with concerts and DJ sets right in the center of the small Minho village.
Our album of the week was released in April. Confused? Well, thank Record Store Day for that. WARMER, Jeff Tweedy’s companion album to both last year’s excellent WARM and his autobiography, was previously only released through a very limited vinyl run, but is now available on all streaming platforms and as WARM/WARMER pack. Far from being a compilation of b-sides, some of the tracks on this collection of songs are as strong as the best songs off his proper solo debut.
‘what we say in private’ is the debut album by Canadian singer-songwriter/painter/visual artist Alexandra Levy, or Ada Lea. It’s been out for less than a handful of days but it’s already one of our indie rock albums of the year. Is it because its opening song sounds like a lost track off Wilco’s Yankee Hotel Foxtrot’s recording sessions that eventually morphs into a more layered Big Thief song, while never sounding like a tribute to either bands? Or maybe it’s because of the stellar songwriting in it. We don’t know. Let’s just listen.
Eleven years after the Silver Jews’ swan song “Lookout Mountain, Lookout Sea”, David Berman finally resurfaces as Purple Mountains. And the new record is everything we ever wanted and more, with members of Woods as their backing band and producers adding extra catchiness to Berman’s superior songwriting. It jumps straight to the top of our list of favorite albums of the year.
Last time we checked on Jesca Hoop she was busy touring a collaboration album with Iron & Wine and recording a (mostly acoustic) new album with Blake Mills. In 2019, she’s taking a different approach by teaming up with John Parish and recording what’s probably the most interesting record of her career, his subtle electronic touches complementing her fingerpicked guitar without ever even approaching “folktronica” territory (good to know they both know it’s not 2005 anymore).